Russian pop-singer Vera Brezhneva will please her fans in Baku with a new concert.
This exhibition, featuring 16 art projects across the Palm Springs, Calif., area, plays off the desert as a great escape.
YARAT Contemporary Art Space provides a platform for a series of talks around its permanent collection and current exhibitions featuring artists, writers, musicians, researchers, entrepreneurs and ot
Their rapport was so easy on their first date, he thought they would shut down the bar. But she was tired, and told him so, and went home.
We discuss the message sent by President Trump’s top deputies to the party faithful on Thursday: the Republicans are winning the fight.
The British Council in collaboration with ASAN Radio and Yarat Contemporary Art Space is holding a two-day music forum: Selector PRO, bringing together leading music theoreticians and practitioners fr
The hosts took aim at President Trump for his decision to rescind protections for transgender students over bathroom choice.
In six years, Montreal director Denis Villeneuve has gone from Hollywood outsider to the man with the golden touch.
Painting a metal barrel with an interesting design can be a cumbersome task, but Azerbaijani artists do so for a good cause and welcome the challenge.
Auctions of Impressionist, modern and Surrealist art at Sotheby’s and Christie’s will be the first major test of buoyancy since the inauguration in the U.S.
The staging of the Broadway musical from 2000 can suggest “Follies” or “Chicago” on speed, but the score by Michael John LaChiusa remains treasurable.
“Fences,” the Oscar contender starring Denzel Washington and Viola Davis, arrives for streaming. And “Shark Tank” passes $100 million for investment.
The S.N.L. performer said that when nude photos of her were posted online, she laughed: “You really just helped a sister out. Thank you for the distribution.”
Jake Gyllenhaal and Annaleigh Ashford star in the marvelous revival of Stephen Sondheim and James Lapine’s musical, at the newly restored Hudson Theater.
Mr. Stevenson drew nearly 2,000 cartoons for The New Yorker. Here is a sampling.
The director Sam Gold’s production of the Shakespeare tragedy, which has had a rocky road to fruition, will open in June.
Theodore Melfi’s buoyant Hidden Figures is an old-fashioned feel-good movie with powerful contemporary relevance, spearheaded by a trio of unstoppable actresses playing black women who wouldn’t be sto
I was always curious about why the masses follow certain people, millions following one person, mused choreographer and dancer Khouloud Yassine.
The Carpetbagger has spent months reporting on the awards season. Here, she predicts the winners.
An interactive exhibition at the Brooklyn Academy of Music features immersive technology, virtual reality activities and film.
An exhibition at the Grolier Club explores the beautiful and sometimes just odd images on financial instruments, and the unsung artists who created them.
Two dozen of Neel’s portraits, at David Zwirner, concentrates on her relationships with fellow Harlemites, most of them black, Latin American or Asian.
An exhibition at the Smithsonian’s Hirshhorn Museum in Washington focuses on the mirrored-room environments of Ms. Kusama, a fixture of popular culture.
This 1974 film by the French director Philippe Garrel consists primarily of studies of young women, especially the actress Seberg.
This movie by Jordan Peele, his first as a director of feature films, is a skillful hybrid, blending genres into something terrifying.
Paul Toogood and Lloyd Stanton’s documentary talks to comedians about the rigors of the road and other stresses of their profession.
Mr. Forsythe has worked intermittently on “Artifact” over the last 30 years.
This thriller from Colm McCarthy, another variation on the zombie-apocalypse premise, combines philosophical debates with bloody tableaus.
Cloverfield director Matt Reeves has stepped in to direct The Batman for Warner Bros. just a few weeks after star Ben Affleck left the post.
In this satire about a TV reality comedy series, its star, Henry Phillips, suffers one indignity after another.
A darkly humorous new series is like “Mr. Robot” redone as a whimsical farce
This NBC series doesn’t have the blunt effectiveness and visceral pull of the film franchise, but it, too, has bad guys and vulnerable women.
Two teenage boys in the 1990s bond over alt-rock only to have their friendship strained in this first feature directed by Miles Joris-Peyrafitte.
Walter Iuzzolino’s goal is to stream the world’s very best dramas that aren’t in English.